The Power of Music
 
Supervisor Burke presents a special commendation to Harold B. Rhodes

"I commend you and the Harold B. Rhodes Foundation, for bringing joy and a sense of accomplishment to so many children and adults alike, with the quick results of the Rhodes Music Method"

Yvonne Brathwaite Burke
Supervisor, County of Los Angeles

E-Z Way Productions, Inc., in collaboration with
The Harold B. Rhodes Music Foundation (501 3(c))

The Power of Music" is a program created for and dedicated to all children in public and private schools. Our program reflects the most recent updates for and complies with all aspects of California Music Education Standards for meeting the needs of students and their teachers within the culturally and  economically diversified population of Los Angeles.

We are aware how important music education is for our future and the future of our children.

Our goal is to supply our present and future generations with a comprehensive, interactive and creative Music Education Course.

Because children are our future, let us give them the opportunity to grow in friendly and creative classroom environment and allow them to become fully educated in every possible field, including the Art of Music.

Our program is designed by a fully educated staff of professionals who have credentials in both music and pedagogy.

Their design consists of several sections that reflect different facets of music, music perception and creation.

Students will learn all the fundamental elements and necessary components of music as a creative art, so that they will, at the end of the program, be able not only to perform and compose their own songs, but to express their emotions through music.

An important part of the program is helping children understand how the different and specific elements of music reflect different moods and emotions, in order to help them achieve understanding of themselves and others.

We believe this will lead to both personal growth and growth within our community.

The basic program is a full course that is spread over 20 weeks during the school year.

It includes lessons and instructions with our qualified teachers, followed by workshops and master classes with the program development staff and, at the end, a final performance by students for the school, including parents, school staff and possibly the greater community within their district.

Because some children will have already had some previous private instruction, we will first assess whether children will be placed at beginner, intermediate or advanced levels of music history, theory and solfeggio.

In every category, however, students will be fully involved in creative process, learning how to apply their knowledge in order to compose, arrange, interpret and perform songs of different genres and styles.
Program Instructional Guidelines

We will supply schools with the necessary number of keyboards for classroom use. The course begins with an introduction session, familiarizing students with the keyboard structure, followed by main part of the course that includes learning, in order:

--the names of all the keys and their pitch;
--notation (reading notes) in treble clef (base clef offered later in the course);
--time signature, reading and recognizing rhythm, as one of the most important elements of music;
--note value: up beat, down beat, whole, half, quarter, eight and sixteenth, dotted etc., depending on advancement level;
--structure analysis of songs, (melody and accompaniment);
--the different functions of melody and accompaniment;
--to read, write and perform simple melody in major or minor keys, using solfeggio;
--to memorize and sing simple (age and level appropriate) melodies of diverse cultures;
--diatonic scales (major and minor), their structure and recognition (chromatic and modes may be considered for older students, depending on their level);
--major, minor chords as well as seventh (depend on prior level);
--harmonization of melody by using the relationship between scale tones and chords;
--classification of musical instruments, both familiar and from diverse cultures, their specifics and sounds;
--recognition of certain musical forms, including simple verse-refrain song form, ABA and rondo (depending on prior knowledge and level);
--the basics of composing, arranging and improvisation;
--songwriting, using their knowledge and experience of music terminology;
--development of their vocal and instrumental skills in performing a varied music repertoire, as well as performing their own compositions.

The program recognizes and appreciates both historical and cultural contexts as an invaluable part of music education in our state. Accordingly, at every point, students will learn the relationship between historical events and the development of music. They should understand, however, not only how different cultures and times produce unique sounds, but also, and perhaps more important, what are the commonalities that unite the world in music and song?

Therefore, we will judge our program's success not only by the creative quality of the final performance, but also by the student's understanding of the role of music, as an integral part of the arts, and beyond that, of societies of all social and economic strata throughout history. We hope, ultimately, to see students taking their places in society and history through achievement in music.

Finally, we will offer Professional Development Se! minars for school teachers and staff in order to continue the ideas that we begin. We hope to make music teaching in classrooms more interactive, more attractive and enjoyable for students and teachers both, as well as to make it possible for students to continue their education in art and music direction in pursuit of professional careers in the field.

More Education

America's Outreach

Further courses are developed and available upon request.

 

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